o say that The Dartmouth Review is notorious is an understatement: it is impossible to attend Dartmouth and not hear about it. In its illustrious history of 25 years, the conservative paper has repeatedly attacked “sodomites;” printed the names of officers of the Gay Straight Alliance, outing several students; and printed a transcript of a covertly recorded GSA meeting, illustrating the article with a man peering over a toilet stall. The Review’s articles have been laced with racial references such as the’83 article “Bill Cole’s Song and Dance” which described a black professor, whom the Review claimed was incompetent, as looking like a “used Brillo pad.” In a midnight raid, Review staffers used sledgehammers to knock down shanties erected on the Green in protest of the College’s investments in apartheid South Africa. In’90, a quote from Hitler’s Mein Kampf appeared in the Review’s credo.
#8217;t, D’Souza says, “[i]t’s not clear the Review’s target was homosexuals per se.” Of course not. Talkin’ Jive? Racism and the Review According to Nutshell magazine, one Review editor wrote an article calling for the return of the Indian symbol and called modern day Indians “drunken, ignorant, and culturally lost.” The Review printed an interview with a former Ku Klux Klan leader, illustrated with a dummy of black person in a noose tied to a tree. The paper also claimed in an open letter on parents’ weekend that affirmative action at Dartmouth “explains your son’s stupid friends.” The Review’s attacks on affirmative action and on those they felt did not belong at Dartmouth were often extremely crude. On March 15,’82, the Review ran a piece called “Dis Sho’ Ain’t No Jive, Bro,” bylined by former Review Chairman Keeney Jones. It was the third in a series of articles, in the first of which Keeney said he wished he could have a medical operation to change his skin color so he could more easily get into graduate school. In the second piece Keeney said he was taking speech lessons to learn black manners of speech. The third piece contained the following “satire,” in which Keeney seems to have perfected what he thinks is black dialect: “Dese boys be sayin’ dat we be comin’ to Dartmut’and not takin’ the classics. You know, Homa, Shakesphere; but I hes’ dey all be co’d in da gound, six feet unda, and whatcha be askin’ us to learn from dem? We culturally ‘lightened, too. We be takin’ hard courses in many subjects, like Afro-Am Studies, Women’s Studies and Policy Studies. And who be mouthin’ ‘bout us not bein’ good road? I be practicly knowin’ ‘Roots’ cova to cova, ‘til my mine be boogying to da words! And I be watchin’ the Jeffersons on TV ‘til I be blue in da face.” After receiving a copy of the “Jive” article, Congressman Jack Kemp resigned from the Review’s advisory board saying Keeney’s article was not in good taste. “Instead, it relied on racial stereotypes. I am sure that many of your readers were offended by it. I am even more concerned that others found in it some support for racist viewpoints,” Kemp said. “I do not want my name to appear in your paper. I am concerned that the association of my name with The Dartmouth Review is interpreted as an endorsement and I emphatically do not endorse the kind of antics displayed in your article.” The Review took Kemp’s resignation in stride, saying they were looking to add Jerry Falwell to their board. Editor Dinesh D’Souza sought to shift responsibility away from the paper, then telling the Manchester Union Leader: “It is not The Dartmouth Review but the Afro-American Society which is the primary cause of racial tension on campus.” Soon after the “Jive” article was published, an associate director at Dartmouth’s alumni fund, Sam Smith attacked and bit a Review founder, Ben Hart, as he was distributing issues of the Review at Blunt Alumni Center. Smith was suspended by the College and received a minor fine. The undergraduate council and the faculty voted to condemn the Review for creating a racially divisive atmosphere. Dartmouth’s President McLaughlin wrote a letter in which he said that the Review performed “offensive practices” but that the issue could not be solved by “violence or intolerance.” Mein Kampf and The Review In’82, after drunken vandals destroyed a sukkah, a temporary construction erected on the Green to celebrate a Jewish holiday, the College Rabbi blamed the Review for serving as inspiration. The Review had pictured the sukkah in an article titled “Grin and Beirut” and compared it to an Israeli settlement “on the West Bank of College Hall.” Even the Manchester Union Leader, an ultraconservative paper usually very supportive of the Review, ran an editorial scolding the paper. One of the article’s coauthors, both of whom were Jewish, said he had regrets about writing it. The Review reluctantly ran an apology, insisting it is “committed to fighting not only vandalism but also the psychological bigotry that can precipitate it.” For a rare moment, the Review seemed especially sensitive to the consequences of its actions and words, something not in evidence in later acts, such as its staffers themselves destroying anti-apartheid shanties in’86 and the paper’s many offensive printed comments. In’88, the newspaper published a front cover which depicted then-President James Freedman, who is Jewish, as Hitler. An article inside the issue said Freedman was looking for the “final solution” to the conservative problem at Dartmouth. The Review later apologized not to Freedman personally but to those who might have been offended. The Review continued attacking professors, warning that one had classes full of “sodomites and liberal scum who probably carry something communicable.” In July’90, the Review said that the deaths of 1,400 Muslim pilgrims and 7,000 Australian penguins were “equally tragic.” Three months later, the Review offered “a heartfelt apology… to all the penguins of the world.” That same year, the situation escalated when a quote from Hitler’s Mein Kampf was printed in the credo on the Review’s masthead: “I therefore believe today that I am acting in the sense of the Almighty Creator: By warding off the Jews, I am fighting for the Lord’s work.” The Hitler quote in The Review’s masthead caused Dartmouth President James Freedman to strongly condemn the paper: “The Dartmouth Review has consistently attacked blacks because they are black, women because they are women, homosexuals because they are homosexuals, and Jews because they are Jews.” The editor-in-chief, Kevin Pritchett, had all the issues collected and he and three other senior staffers sent out an open letter disassociating the paper from the quote, saying they were investigating whether the quote had been inserted by an insider on staff. Supporters of the Review in D.C. and New York repeatedly insisted that someone from outside the paper had inserted the Hitler quote and called for an investigation by the Anti-Defamation League to find the “saboteur.” Review advisor Jeffrey Hart attacked Friedman’s language: “That statement has no truth in it whatsoever. The Review indeed has opposed racial quotas. But not attacked skin color. It has a black editor-in-chief. It has had three women editors, and two from India. It has not attacked homosexuals as such, but opposed Dartmouth’s funding of gay groups.” President Freedman said the quote was “consistent with the level of hatred that has filled the Review. It’s hard to believe it was an accident.” Unlike previous Review controversies, the center did not hold. “I cannot allow the Review to ruin my life any further,” C. Tyler White declared soon after he resigned as President of the Review, “The official Review response, which I co-signed and helped distribute, avoids the main thrust of the issue. It does not emphasize our sorrow in this dreadful act of malice, nor does it claim responsibility for letting it reach newsprint…. The editor-in-chief has failed in his job, and now we must wear the albatross of anti-Semitism because he won’t take responsibility for the issue’s contents.” Review contributors David Budd and Pang-Chun Chen also resigned saying, “We are conservatives, but we are not Nazis…” Budd noted that the paper’s apology implied “let’s put the blame on someone else.” While alumni on the Review’s board had said there was evidence that an outsider w
as at fault, the Anti-Defamation League’s investigation found that the Hitler quote matched one from a frequently used quote book in the Review’s office and concluded that someone on the Review staff had definitely inserted the quote. The Review is staunchly pro-Israel, but the ADL commission concluded that the insertion of the quotation was “obviously an anti-Semitic act.” The head of the ADL commission said: “Prior acts of the Review and the past conduct of its members have contributed, the commission believes, to the creation of an environment which condoned and even encouraged a member of the Review to include the offensive Hitler quote.” Defenders of the Review still insist a senior editor would not have inserted the Hitler quote, despite the Review’s a history of printing inflammatory quotes such as “the only good Indian is a dead Indian” and “genocide means never having to say you’re sorry.” Slipping Into Obscurity After such scathing attention from the Hitler quote, the Review finally lost steam. The Review would still print offensive images, obsessively printing and re-printing images of the Dartmouth Indian “mascot.” But in the’90s, the Review produced few antics the national press felt worthy of attention. Yet The Review still continues its silly sexist and racially insensitive campaigns: during first-year orientation in 2001, the Review passed out Indian stickers and music sheets with the lyrics to “Men of Dartmouth,” the gender-specific version of the Alma Mater that the College changed in the’80s, when it finally realized that women also attended Dartmouth. In 2001, one student anonymously complained that when a bunch of brothers on the rooftop porch of Psi Upsilon fraternity saw her walking by, they added a sexist element to an old “Indian” cheer by shouting, “Wah-hoo-wah, scalp those bitches.” Months later, the Review published a short piece revealing who she was. When asked why, Review editor Andrew Grossman (who, I should disclose, was once my roommate) would only say at the time, “It’s news.” The event had long passed and revealing her name at that point seemed to serve no purpose, other than leaving the previously anonymous woman vulnerable to harassment. By then, the Psi U incident had long been eclipsed by the Zeta Psi incident, in which the fraternity printed a newsletter bragging about the brothers’ various (real and imagined) sexual exploits with named Dartmouth women. When an activist had been angry and kicked in a small panel on the door of Zete (an action she apologized for), the Review ran a piece on her entitled “scalp her,” echoing the Psi U shout from the rooftops. Review defenders will claim the publication is not racist; however, they certainly treat claims to accommodate difference in a grossly offensive manner, suggesting outright hostility to reasonable arguments from minority groups and others whom they clearly do not like. An August 2002 entry on the Review’s weblog, authored by the previous year’s editor-in-chief Andrew Grossman ’02, echoed a long tradition of mindless racist rhetoric. Without making a single argument, he dismissed as ridiculous recent efforts by the Student Assembly to bring to Hanover hairstylists who can cut African American students’ hair: Grossman wrote: “Future programs in a similar vein include bringing to campus a small troupe of number-runners and, in the fall, several New York based crack dealers. The Student Assembly is now in the process of creating a committee of New Black Panthers to replace the ‘Committee on Student Life.’ Expect an authentic ‘Ghetto Party’ no later then by the end of the fall term.” Don’t expect the Review to always be this edgy; more often than not it simply repeats its same old diatribes and arguments, which sometimes express themselves in virulent ways. The Review may have been a powerful force on this campus during the reactionary Reagan years, but today their uninformed and dull rhetoric is both unappealing to most Dartmouth students and largely irrelevant. Know what the Review stands for, and realize that their time has passed.


ou have to hand it to the G.O.P. after their victory in the midterm
n Friday, a simple blitz arrived from a conservative friend saying only: “Oh my God! Paul Wellstone is dead!” I did not understand, as it was unthinkable that these words were meant literally. It only hit me when I turned on CNN, and saw that Wellstone had died in a plane crash earlier that day, along with his wife Shiela, his daughter, three staff members and two pilots.
hat does it mean to have a liberal arts education? Is it important that students earning a Dartmouth diploma learn about issues surrounding diversity? Although a smaller part of the newly released Committee on Institutional Diversity and Equity Report, the recommendation to incorporate diversity into the curriculum of Dartmouth College is crucial. I support this goal because a liberal arts education fundamentally requires that students have interactions in the classroom that force them to confront and think critically about diversity in the modern world.
ast fall, we began publishing The Dartmouth Free Press in order to initiate and support reform and activism at Dartmouth. Naturally, we were excited and pleased when we witnessed the “Speak-Out” rally two weeks ago outside Parkhurst Hall. Since the rally, there has been a great deal of speculation about the future of the movement to implement the protestors’ demands, and we have watched attentively. It would be easy, at this point, for this loosely constructed band of juniors and seniors to pack in the cardboard and markers and call it a career. This would be a tremendous mistake. The issues raised at the rally are important, they are pressing, and they demand progressive solutions.

